Wednesday, 2 October 2013

THE ABSTRACT

In today’s session we looked at working in the abstract and being able to tell a story in a less literal way. I think that this was really useful because it showed us how we could still connect to an audience in a non-linear, more interpretive way, giving us inspiration for our performances.

We looked at different forms and forces and how they can be embodied physically and create an emotion or story. The first exercise was an individual one where we were told a movement and we had to recreate this in our bodies, for example; melt, shatter, freeze and disintegrate. Some of the movements were a lot harder to create and had to be interpreted individually and what it meant to us, where as others created a more instant response and a lot of people seemed to have the same idea of the word. One of the first words that were said was melt, this seemed to create a unanimous idea across the class of what melt meant, and instinctively we all began to slowly collapse into the ground. Personally I found that my body dropped and my limbs all became very heavy and were pulling me into the ground. The movement was a very slow, soft movement as I felt I was turning into liquid and that is a lot more fluid and less harsh. As soon as melt was said I got the image of the Wicked Witch of the West from the Wizard of Oz melting in my head, I thought that this was bad at first because it was a stereotypical image, however I felt that it gave me a base to work of and to explore and develop into something more abstract. Another word that was said was shatter and although similarly to melt it was going into the ground, shatter was of a higher, more violent speed, of which there was a lot less control and fluidity within my body. I also found that my movements became a lot more ridged and sharp. One of the hardest words I found to interpret was disintegrate, I think this was because unlike melt your body wasn’t turning into another substance and unlike shatter is was falling apart but it was disappearing and dissolving into nothing. Physically I found this quite hard to explore because I felt I had to try and make my body become nothing, however I explore the movement of falling to the ground but it felt like a contrast of melt as it was a slow, steady, controlled movement to the ground, and shatter as there was a slightly harsher edge to the movement. I found that these explorations were really useful to develop and to work with because it could be applied to different characters, similar to Laban, and to show an internal turmoil. For example you could show someone being loss and suffocated from their problems through melt or the end of a relationship through shatter.

We then developed this exercise so that we were working with a partner and we had to explore a piece of movement where we a playing opposing forces, for example melt vs freeze, solid vs liquid, shatter vs fragile ect. I found that this was a really interesting way of developing the exercise and it opened different avenues within a relationship and showed the different elements to a story or characters and this could communicate and connect to the audience. One thing that is interesting about working in the abstract is that the audience have to invest in it more however the all get out of it an individual story and message from the piece. With the partner that I worked with, we explored solid and fragile. At first I found this difficult to work with, especially when we worked together, touching, as it was two completely contrasting movements trying to work as one and I think that it when watching it really said something about the relationship but when doing it, it felt unnatural. However once I got into the exercise I found it was about reacting physically to my partner’s movements and how they changed or affected my movement. From watching others work I thought that it showed and expressed really interesting story and I could have my own personal interpretation. I think that the individualism that the abstract gives the audience creates a great sense of personal interaction between an audience member and the actors and I think it creates a really special piece of theatre. For example one couple that I watch was one melting and he collapsed in on himself around his partner’s legs, while his partner was freezing and he stayed strong but had a few sharp movements. I thought that this showed the different ways that two people experience and reactions to the war. One who had a complete emotional meltdown and lost all stability and focus on reality and only way of surviving is by clinging onto his friend. I thought that the friend on the outside had to remain strong and stable, however lost all emotional and sentimental ability as he wanted to help his friend. I think that this demonstrates the power of the abstract and how it can connect with an audience and they can develop their own story.

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